for cello solo with live electronics
 dur. 11′ ca.
about the amnesia cycle
Without oblivion memory would be oversaturated.
With the pieces of the amnesia cycle, I’m interested in exploring or representing the idea of memory loss, its transformation and / or re-codification.
The five pieces of the cycle have a different instrumental combination with or without the use of the electronics. They are structured so that repetition – in its medium-form – could work as a reiterated path but each time characterized by different obstacles and interruptions. Their formal approach is similar but what makes the pieces different one from another is the musical (or extra-musical) idea of “forgotten material” and its way of opposing or aiming towards amnesia.